This time last year I remember spending the first days of January reviewing the edit on our first major Sikh wedding video. Created for Amrita & Benji, it covered a five day extravaganza which we had filmed the previous August. This epic project started with the bride’s Mehndi party & Sangeet in London on 1st August, followed by the groom’s Maiya and Jago party in Brighton on 2nd August. On 3rd August, their main day, we had crew in both places from 6am filming the families preparing for the big day and making their journeys to Southall Gurdwara. Its was a very visual wedding day with a baraat and milni outside the steps of one the biggest temples outside India. The main wedding day was followed on 4th August by a grand open-air banquet at Bearwood College in Wokingham and a gala dinner a week later on 11th August in Mayfair.

As you can imagine the film was quite an epic – the first cut weighed in at a hefty 3hrs 30! Since I always meticulously review all our editing work personally, it took quite a while to complete this. My main focus at that stage was to ensure there a clear story arc to their Sikh wedding video. This meant ensuring that individual chapters were coherent and made sense to viewers (a wedding film usually has to make sense of random events!). As always I went through the cuts with fine tooth comb looking at the quality of the shots and editing choices. Indeed, before the raw footage even went to the editor I had already reviewed it and provided notes on dialogue editing and music score. However it is only when you look at a first cut, can one be sure decisions previously made fit the intention. Occasionally I decide to change background music or trim dialogue. Of course, with a wedding film of this length, there is a big music score to decide upon! Clients usually request some tracks and where they fit, I include these, however I often specify around 2/3rds of the music myself, which can involve spending hours listening to Bollywood, Bhangra, Shenai & other Indian music!

We had Amrita & Benji’s Sikh wedding film completed by the end of January and no sooner was it shown online we were inundated with enquiries from other Sikh clients! I must say, looking back at the video, the open-air wedding banquet section looks especially good and I am always a big fan of filming outdoors rather than indoors – the light and sense of spectacle are always much greater! On this job we used a Glidecam 200 jib crane to capture the sense of scale – imagine 500 people sat around tables on a manicured lawn with cedar trees and a Jacobean style mansion providing the backdrop, plus the most wonderful weather anyone could hope for!

Having since made over a dozen more Sikh wedding films, I can honestly say I enjoy making them very much and have had the pleasure of creating some wonderful films. After making Amrita and Benji’s film I no longer find a three and a half hour film quite so daunting!