Live music makes such a contribution to any good wedding reception. This was doubly the case at this Sikh wedding reception held at the Grosvenor House Hotel in London. Sukshinda Shinda Live rocked the house and had the dancefloor packed with dancing fools. Look at the way the lead singer bobs and weaves his way across the stage? The guy just keeps on moving and keeps the crowd on their feet. From the spectacular sway of his turban, to the rustle of his robes, he is poetry in motion keeping time with his song! It was hard to keep our cameras still as we were bopping and weaving to the music too!

Doubling up on both keyboards and percussion gives a real depth to the sound and with one of the keyboards doubling on backing vocals it goes a long way to flushing out the sonic scope. Sukshinda Shinda Live were backed up by a great set of lights which pulsed and cut through the darkness helping to further lift the spirits. No expense was spared on their sound system too with bass sound that literally shook your bones. All the better to help you dance! Keep these great musicians in mind if you are planning an event or wedding reception. Well done guys!

Kiran & Kuldeep went all out on their Sikh wedding! It was a fantastic celebration. Early in the day we met up with the bride at the Hilton Hotel as she started her wedding preparations. She certainly wasn’t daunted by the path ahead and seemed to embrace the excitement of it all. Meanwhile our groom was being well looked after by his family who made sure he was dressed and ready for his ceremony at the Ilford Gurdwara. A couple of busses and a handful or Rolls Royce were on hand to ferry the wedding party in style. The ceremony was beautiful, colourful and over too soon!

Then it was on to the London’s Grosvenor House Hotel for a rather elaborate reception. The hotel pulled out all the stops to make Kiran & Kuldeep’s celebration a memorable one. The vast room was draped in a star cloth giving it a really pretty night-time sky effect. Coupled with a brilliant lighting setup and amazing floral displays made quite an impression on the guests. It was great for us to film too as there was so much to take in the with camera’s eye. The bride and groom made a spectacular entrance to the beating of many drums. And that was just the beginning of a long and memorable evening. Thank you to Kiran and Kuldeep for letting us be a part.

Sikh Weds. Jaspreet & Samantha were wed in a Sikh ceremony at the Gurdwara Sri Guru Singh Sabha in Nottingham where they were surrounded by their family and friends. Samantha was attired in a traditional Sikh wedding dress looking absolutely beautiful. Jaspreet (Skywalker) had lots of helping getting ready and was ready to commit himself to his princess/bride Samantha. The church leaders led them through the ceremony and pronounced their blessings on the couple all under the watchful eye of their family and their dearest friends. Our cameras operators had room to get about which allowed us to shoot some really great footage of the ceremony and get lots of close-ups of the guests.

The reception took place at Thoresby Hall Hotel where the grand, high-ceilinged rooms were appreciated by all. Drinks were lined up ready to greet the guests. With a change of outfit, Samantha and Jaspreet posed for photographs, taking advantage of the fine architecture of the building for backgrounds. The guests enjoyed a really nice meal – the food was beautifully plated and presented and was really enjoyed by the guests. As the sun set and darkness took over, the lighting in the hotel was especially romantic and was the right ambiance for the cutting of the wedding cake. Their first dance was to a spectacular waterfall of bubbles! Wishing much joy and happiness to these two.

Channi Singh is the godfather of Bhangra music in the English-speaking world, so it was a particular thrill to have him sing live at this wedding at the Intercontinental Park Lane Hotel (London). For us, it was exciting to capture his live event performance on video. The response from the audience as soon as he was announced was incredible – the cheers immediately started and the hands started to clap above their heads. As founder, lead singer, producer and director of Alaap, he has performed around the world in places like Madison Square Gardens and The Royal Albert Hall, so to be up close and personal with him at the Intercontinental was a great treat for these wedding guests.

When Channi Singh sings, he has a perpetual smile on his face. His delight in making music is palpable. Channi is not one to separate himself from his fans too as he wades out into the dancing crowd to embrace some of the guests – many of whom appear absolutely thrilled. Clearly everyone is hoping for a slice of the limelight because as Channi sings various wedding guests pop up on stage with him to be near him! He takes it all in his stride – what a pro.

An enormous amount of preparation went into the Sikh-Gujarati wedding of Bobby & Sejal. Brent Sikh Centre was decorated, as were the cars which ferried the wedding party about. Our beautiful bride arrived in her red wedding sari to be attended to by her family. The groom meanwhile arrived in a white stretch Hummer before transferring to an elaborately decorated white stallion where he rode up to the Gurdwara to the accompanying beat of a drum. It made a great spectacle for us to film! After a traditional ceremony, our couple retreated outside where, with a little encouragement, they released a pair of white doves.

The wedding party then shifted to London’s Millenium Mayfair Hotel where the banqueting room was decorated and ready for Bobby & Sejal. Their family and friends were greeted with a drink which gave us ample time to get about the room filming all the wedding guests. Our newlyweds had changed outfits and entered the room to much applause. After cutting the ceremonial wedding cake, they enjoyed a fine meal and an excellent performance from a trio of dancers. Once the meal was over, the general dancing followed and the guests seemed to enjoy their own chance to dance led by Bobby & Sejal. Our best wishes to them both!

To me some of the most exciting projects we undertake are Asian Wedding Videos. I remember how excited I was when we received our first two Asian wedding video bookings in early 2007 – the same weekend Aatish & Amita booked us for their Hindu Wedding Video at the Hare Krishna temple in Watford and Sohit & Vandana booked us for their Indian Wedding Video at the Four Seasons in Hampshire.

I remember meeting Sohit for coffee a week earlier to discuss the possibility of us filming his wedding and him saying “so I guess you know I’ll be coming in on a white horse?” Not sure whether it was a trick question to test my knowledge of Indian wedding videos, I cautiously shrugged in manner suggesting ‘yes of course!’. As soon as I got back to my partner that evening I shrieked out my disbelief at the idea of a groom appearing on a white horse! After looking up the facts online to check I hadn’t inadvertently blown my cover, I was thrilled at the prospect of a wedding video with something REALLY filmic!

To make the most of the opportunity, I decided to hire in a Glidecam 200 crane at my own expense and to shoot the whole wedding in super widescreen. We were lucky with the mid-April weather and I was able to create my first Asian wedding video in a way that evoked the cinematic qualities I wanted to offer. As soon as the film was edited and online, it had an instant impact on our business with several other Asian couples booking us to film their wedding with a similar aesthetic.

The peak of this rise came in Autumn 2007 we went to Newcastle to film what is still the grandest wedding I have ever done – Surita & Sumita’s double wedding celebration at the Sage centre. During 2007 we produced many other Asian wedding videos including Amrita and Benjis Sikh wedding video which was the first to use three cameras. Needed for the sheer scale of the wedding, this enabled us to film multiple perspectives and simultaneous action. Personally I think you need at least 2-3 videographers for any type of live event filming.

Meanwhile Aatish & Amita’s wedding in July 2007 offered similar spectacle, hosted as it was in the grounds of Bhaktivedanta Manor in Watford. I remember meeting the couple at the venue a few months before their wedding and being struck by two huge bullocks transporting visitors around by cart. The venue features a beautiful temple in the main house and one of my favourite moments in the film is ‘Feeding the Holy Cows’. For me, this was something I never expected to see in a wedding video! Raising the bar from the Asian groom entering on a horse, I was delighted to film something that was as visual and interesting as I had hoped.

During the course of 2007-2009 we have filmed many Asian weddings – many of these amazed me for the sheer scale, spectacle and sense of occasion. I have also been very touched by how important they are to the families and the wider Asian community that is frequently invited to participate. I hope that as more couples see our Asian wedding films that we have produced for our clients, we will be invited to film many others – as I have come to love creating Asian wedding videos!

I was reminded of the importance of wedding video music this week whilst finalising the edit for several different clients. Last year ago I remember Bobby enthusing over the director Mira Nair whose film Monsoon Wedding contains some wonderful music for wedding videos. I enjoy her work too and went to the cinema to see The Namesake as soon as it came out in 2007. What impresses me about much Indian music is the way that films are such a driving force behind the creation of it. Unlike a lot of Western music, from the outset many Indian artists aim to tell a story with their music as part of a film. My perception is their music is less abstract and chart driven than the UK & US with the lyrics possessing a much greater significance (although anyone reading this is welcome to correct me!).

Consequently whilst many ‘western’ wedding video clients might be happy with music that simply suits the ‘mood’ of their spectacle, many Indian wedding video clients will be more sensitive to its lyrics. This happened with Bobby & Sejal who provided many music suggestions for their film including ‘Aaj Mera Jee Karda’ (Today My Heart Desires) from Monsoon Wedding. Another track they suggested was ‘Tera Bina’ (Without You) from Guru which I think is beautiful. I often find myself scanning the search engines for translations of lyrics both out of curiosity and a fearful wish to avoid embarrassment!

Probably no job was more challenging to me in the last year than Amrita and Benji’s film – see my previous blog Epic Sikh Wedding Video. This is because it contains not less than 33 tracks, which proved a real challenge for a non-Indian language speaker like myself! Fortunately Amrita and Benji like a lot of Western music too, so it contains a bit of both. However I am very proud of the film not just because of the music, but also because of its epic proportions! One thing is for sure, I will think twice next time before agreeing to take on a 5 day wedding in the middle of the peak season! Nevertheless putting together the film score for Amrita and Benji was a useful experience for me, it made me appreciate Bollywood films a lot more than I did and greatly increased my awareness of good Indian music.

Nothing however quite scared me recently as much as Chloe & Martin’s wedding video. Yes they are an English couple, but Chloe is a music lawyer and her father owns a well-known record label! As part of their wedding celebrations they had Gospel singers, a performance by native Indian tribesmen and a live gig by a newly signed artist. With such a strong musical heritage, you can imagine how concerned I was about hitting the right note (okay, pun intended). Like the others, they did provide a few hints and I also paid attention to music used on the day to garner more suggestions. Fingers crossed they will like what we’ve done!

As part of the development of our new website we’ve recently added some help and advice pages. We hope it will prompt clients who are less confident about commissioning a wedding video to contribute to their music score. I strongly believe that the films we make for our clients should feel personal and relevant. Music in my opinion is one of the strongest ways of making this connection!

This time last year I remember spending the first days of January reviewing the edit on our first major Sikh wedding video. Created for Amrita & Benji, it covered a five day extravaganza which we had filmed the previous August. This epic project started with the bride’s Mehndi party & Sangeet in London on 1st August, followed by the groom’s Maiya and Jago party in Brighton on 2nd August. On 3rd August, their main day, we had crew in both places from 6am filming the families preparing for the big day and making their journeys to Southall Gurdwara. Its was a very visual wedding day with a baraat and milni outside the steps of one the biggest temples outside India. The main wedding day was followed on 4th August by a grand open-air banquet at Bearwood College in Wokingham and a gala dinner a week later on 11th August in Mayfair.

As you can imagine the film was quite an epic – the first cut weighed in at a hefty 3hrs 30! Since I always meticulously review all our editing work personally, it took quite a while to complete this. My main focus at that stage was to ensure there a clear story arc to their Sikh wedding video. This meant ensuring that individual chapters were coherent and made sense to viewers (a wedding film usually has to make sense of random events!). As always I went through the cuts with fine tooth comb looking at the quality of the shots and editing choices. Indeed, before the raw footage even went to the editor I had already reviewed it and provided notes on dialogue editing and music score. However it is only when you look at a first cut, can one be sure decisions previously made fit the intention. Occasionally I decide to change background music or trim dialogue. Of course, with a wedding film of this length, there is a big music score to decide upon! Clients usually request some tracks and where they fit, I include these, however I often specify around 2/3rds of the music myself, which can involve spending hours listening to Bollywood, Bhangra, Shenai & other Indian music!

We had Amrita & Benji’s Sikh wedding film completed by the end of January and no sooner was it shown online we were inundated with enquiries from other Sikh clients! I must say, looking back at the video, the open-air wedding banquet section looks especially good and I am always a big fan of filming outdoors rather than indoors – the light and sense of spectacle are always much greater! On this job we used a Glidecam 200 jib crane to capture the sense of scale – imagine 500 people sat around tables on a manicured lawn with cedar trees and a Jacobean style mansion providing the backdrop, plus the most wonderful weather anyone could hope for!

Having since made over a dozen more Sikh wedding films, I can honestly say I enjoy making them very much and have had the pleasure of creating some wonderful films. After making Amrita and Benji’s film I no longer find a three and a half hour film quite so daunting!

At the start of May we filmed Toby and Bhupinders Sikh wedding celebrations over 3 days including the family’s Mendhi and Ladies Sangeet events. It was our first job with the newly released Sony Z7 camera and Dan & Dusan had the honour of christening (or should I say Sikhisming?) the new cameras. I came and supervised the filming of the ceremony on the Sunday morning which was at Hounslow Gurdwara. What is unusual about this Sikh wedding is that Toby is a non-Sikh American guy who lives and works in the UK. He and Bhupinder were a really nice couple, representing a cross cultural marriage with a real sense of openness. Both families were very warm and friendly and Toby and his father grew the customary beards for the occasion. The Sikh wedding reception was held afterwards in the secret garden at Syon Park this proved a lovely setting for enjoyable event. To see highlights from their Sikh wedding video, click on the video below:

Whilst Dan & David were filming in Oxfordshire (see this post), I was accompanying Dishad and Eva filming Manjit & Anju’s wedding at Coventry Gurdwara. The day started for Eva and I in Barking, Essex capturing Manjit getting ready before the whole entourage left for Coventry. One thing I always like to do when I am on a shoot to is film the baraat en route. This can be more difficult than you imagine because you not only have to speed after them and cut through traffic, but you then need to keep the camera steady long enough to capture footage from a moving vehicle. For this particular Sikh wedding video we decided to go one step further that we did in Amrita & Benji’s Sikh wedding video and stop at a service station along the M1 and film from a foot bridge. We’d hardly been in position for more than a minute when the bus carrying all of Manjit’s family went past. Although only one shot, it gave a lift to the film which I believe makes it feel like a TV documentary. Thanks to our sat nav we arrived in Coventry just ahead of the bus and was ready to film the arrival of the baraat and milni before the ceremony commenced. The reception was a bit hectic, not helped by traffic diversions on the two centre, but I am proud of the film we managed to pull off for Manjit & Anju. You can see highlights of their Sikh wedding video below: